Fringe Mid-Season Finale
Tuesday, February 28, 2012
Olivia
has been kidnapped! Last week the
Fringe team was lead to believe that Nina Sharp, played by Blair Brown was
behind Olivia’s (Anna Torv) strange headaches and time slips but in reality it
turned out that it was David Robert Jones (Jared Harris), the man who first
appeared in episode 7 of season one and proceeded to walk through walls to
escape prison.
It
appears that Jones is very interested in Olivia’s extra sensory abilities. Jones is the person behind Olivia’s
headaches and the presence of Cortexifan, that liquid that enhances ESP
capabilities in young kids, in her bloodstream.
Last
episode, the Fringe team detained Nina Sharp suspecting that she was the only
person capable of obtaining the special liquid but as we have learned over the
course of the series, Jones has the ability to walk through walls using special
equipment.
Jones
has apparently kidnapped Nina and is torturing her in the hopes of using that
emotional stress to enable Olivia’s ESP powers.
As
the Fringe team is debating how to find Olivia, an Observer, one of those
derby’d, eyebrowless gentlemen that appear at key moments of history, appears
out of thin air in Walter Bishop’s lab at Harvard. Except he has been shot! But who shot him?
Jones
seems to know that the one way to get Olivia to use her ESP powers is from
great stress so he straps Nina Sharp to a mattress spring and electrocutes her
in the hopes of eliciting a response from Olivia, but to no avail.
Outside
we see a group of Observers meeting in a park and discussing the injured
Observer, whose name we learn is September.
The
episode uses quick-cut editing to indicate insistence and we see Broyles,
played by Lance Reddick, preparing to interrogate Nina Sharp. She protests, and claims innocence to
kidnapping Olivia.
We
cut to Olivia’s apartment where Peter and Lincoln Lee continue the search for the
missing Olivia. Peter browses the
room and figures out that a random fixture on the ceiling is a spy-cam.
We
cut to Jones preparing to torture Nina, and Olivia trying to illuminate the light
board that was first introduced in season one as a signal to how much ESP power
an individual possesses.
Back
in the secret lab, the other Nina is stalling to keep from being tortured, and
Olivia figures that she needs Nina to refresh her memory of some traumatic
event in order to access her ESP powers.
Olivia claims that the Cortexifan is blocking her ability to use her
ESP.
Broyles
tells the Fringe team of how the Observer appeared a few weeks back when Peter
went to the Alternate New York to talk with Walternate in regards to getting
back to his own timeline.
Peter
decides that he wants to go into the dying Observer’s consciousness to speak
with him. Ominous music ensues as
Walter tells him that if the Observer dies he might be trapped in the Observer’s
mind forever.
Peter enters September’s mind and
speaks with him. September tells
Peter that he is originally a member of the science team part of his group of
Observers. The Observers are
apparently a possible future version of humanity that travels outside of
time. He then sets about explaining
everything that has occurred over the last two season of Fringe. He then tells Peter that he has to go
home in order to save Olivia.
Suddenly September’s universe starts to crumble. Peter is thrown out of September’s mind
and September dies. His body disappears
off of the table in Walter’s lab.
Astrid, who has very little to do in this episode picks up a tray.
Peter
is more fully determined to save Olivia and get back to his timeline. He is now convinced that this reality
more than ever is not his own.
Peter
goes to his actual apartment only to be caught by men who work for Jones.
Olivia
wakes up and sees Peter strapped to a gurney and this is the emotional stress
she needs. The light board illumines fiercely and the entire building begins to
shake. Olivia burns the henchman
left behind to safeguard Jones’s escape and frees Peter. But we are not treated to a happy
reunion kiss. Peter tells he that
he is now more than determined to get back to his own reality.
It
begins to rain, a metaphoric cleansing rain to signal the end of the episode. But this is a contradiction because nothing
is fine and good. This is
not a happy ending. Nothing has
been resolved. Peter is convinced
that this reality is not his and that he is going home. The music swells, and he walks out of
the frame and the credits roll.
The
screenwriting elements used in the episode are fairly standard boilerplate, a
lot of swelling strings on the soundtrack as a well as quick editing to
heighten the tension. Unlike last
week’s episode, which used parallelism to juxtapose the story lines, this week
was very straightforward with a lot of telling by the characters through
monologues.
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